Autopsy - Fleshcrawl Torn From The Womb

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File info:

Band name Autopsy
Song name Fleshcrawl Torn From The Womb
Tab type Guitar tab
Added 05/01/2008
Size 6.08 kb
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-AUTOPSY - FLESHCRAWL/TORN FROM THE WOMB from the "Mental Funeral" CD (c) 1991 Vile Music
-Transcribed by Chris Myhre. Version 1.6 Feb 2001 (ver 1.5 Feb 00)
-For questions, corrections, etc email me: bowel_ripper@hotmail.com
-For best print edit the left/right margins in page setup to make the tab fit the sheet
-Tuning: two steps down (1:C, 2:G, 3:D#, 4:A#, 5:F, 6:C)
-Notation legend: ~ = vibrato; . = palm mute; * = see note;
		  ^ = semitone trill; h = hammer-on

   FLESHCRAWL (intro)
   (apply some vibrato/feeling)
1>|------------------------------------------------------------------------------|
2>|------------------------------------------------------------------------------|
3>|-----3--------------------------------10----9---------------------------------| gtr 1
4>|2---------2----1---------------------------------10----9----------------------|
5>|--------------------2----1-----2----------------------------2----1-----2------|
6>|----------------------------1--0------------------------------------1--0------|
  |
  |-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-|
  |--5-5-5---5-5-5---5-5-5---5-5-5---5-5-5---5-5-5---5-5-5---5-5-5--|
  |-----------------------------------------------------------------| gtr 2 x2
  |-----------------------------------------------------------------|
  |7-------7-------7-------7-------7-------7-------7-------7--------|
  |-----------------------------------------------------------------|

   TORN FROM THE WOMB
   riff A
1>|----------------------------------------------------------------|
2>|----------------------------------------------------------------|
3>|----------------------------------------------------------------| gtr 1
4>|----------------------------------------------------------------|
5>|8------------7-----------8------------7-------------------------|
6>|8------------7-----------8------------7-------------------------|
  |
  |The notes in ( ) mean let them ring while striking the other
  |           x4          x4           x4
  |------------'-----------'------------'--------------------------|
  |---12-13-12-'--12-13-12-'---12-13-12-'--------------------------|
  |10(10)------'9(9)-------'10(10)------'9~------------------------| gtr 2
  |------------'-----------'------------'--------------------------|
  |------------'-----------'------------'--------------------------|
  |------------'-----------'------------'--------------------------|

  |riff B-----------------------x2-----------------------------x2
  |gtr 1 & 2---------------------|------------------------------|
  |------------------------------|------------------------------|
  |-------------------3-4--3-----|-------------------3-4--3-----| gtr 1
  |2-2-3-5--6-5-3-2-2-1-2--1-5-4-|2-2-3-5--6-5-3-2-2--------5-4-|
  |0-0-1-3--4-3-1-0-0--------3-2-|------------------------------|
			    (. .)|
				 |------------------------------|
  (. .) = palm mute when riff is |------------------------------|
  played after the lead (below)  |-------------------3-4--3-----| gtr 2 (2nd time)
                                 |2-2-3-5--6-5-3-2-2--------5-4-| gtr 2 (1st time)
                                 |-------------------1-2--1-----|
                                 |0-0-1-3--4-3-1-0-0--------3-2-|
									    * gtr 2
  |------|gtr 1------------------x2--gtr 1 & 2-------------'-----------------------|
  |------|------------------------'------------------------'------------11*--------|
  |repeat|----------9-----------8-'----------9-----------8-'----------9-8----------|
  |riff B|----8---8-------7---7---'----8---8-------7---7---'----8---8--------------|
  |------|--7---7-------6---6-----'--7---7-------6---6-----'--7---7----------------|
  |------|6-----------5-----------'6-----------5-----------'6----------------------|
	 |
  	 |gtr 2------------------x2
  	 |------------------------'
  	 |------------------------'
  	 |------------------------'
  	 |8-----------7-----------'
 	 |6-----------5-----------'

  |------|------|----------------------------'(w/lead)-------* stop here---x6-----x1
  |------|------|----------------------------'-----------------last time----|------|
  |repeat|(bass)|----------------------------'------------------------------|repeat|
  |riff A|------|----------2-222-------------'------------2-222-------*-----|riff B|
  |------|------|3-3-------------1-111-3-333-'------------------1-111-3-333-|------|
  |------|------|1-1-0-000-------------------'1-111-0-000-------------------|------|
						  __________ _______________
						 |  1	    |  2  	   x3
  |-----------------------------* stop here---------------7-------------12--| gtr 2
  |-------------------------------last time-------7-8-7^--5--12-13-12^--5---| harmonizes
  |-----------------------------------------------4-5-4^-----4--5--4^-------|
  |-----------------------------------------*-------------------------------|
  |7---7-7-----8---8-6-8-7^-----7---7-7-----6---6---------------------------|
  |7---7-7--0--8---8---------6--7---7-7--0--6---6---------------------------|

		           gtr 2 plays octave 2nd/3rd time
  |gtr 2-----x3-------'---------------------------------------x3
  |-----------'-------'----------------------------------------|
  |-----------'-------'---------3----------3----------3--------| * gtr 1 comes
  |-----------'---*---'----3h4h5------3h4h5------3h4h5---------|   in here
  |---------1-'---2-1-'---------1----------1----------1----2-1-|
  |00001h2h3--'00-2-1-'00001h2h3--00001h2h3--00001h2h3--00-2-1-|

  |----------------------------------------x3--------------------------|
  |-----------------------------------------'--------------------------|
  |-----------------------------------------'--------------------------|
  |-----------------------------------------'--------------------------|
  |----3--5------6------5--3----------2--1--'----3--5------6------8--7-|
  |0-0-1--3--0-0-4--0-0-3--1--0-0-0-0-2--1--'0-0-1--3--0-0-4--0-0-8--7-|
   . .       . .    . .       . . . .        . .       . .    . .

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