Leo Kottke - Last Of The Arkansas Greyhounds
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File info:
Band name | Leo Kottke |
Song name | Last Of The Arkansas Greyhounds |
Tab type | Guitar tab |
Added | 05/25/2008 |
Size | 15.59 kb |
File format | |
Views/Loads | 0/0 |
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Date: Mon, 29 Jan 2001 18:42:15 -0500 From: "Patrick Schwemmer" Subject: k/kottke_leo/last_of_the_arkansas_greyhounds.tab Patrick Schwemmer pschwemm@hotmail.com LAST OF THE ARKANSAS GREYHOUNDS REVISION 1 3/23/96 Artist: Leo Kottke Tablature: Roger Hess NOTE: REV1 has alternate (simplified) pattern for Part 3 Here's a stab at an oldie but goodie. I've never done tabbing this way before--I hope it comes out OK. Check my chords--my ear tends to classify everything as a major, minor or seventh. I just decided at the last minute that the Dm chords in part 3 were not F majors. Also, maybe I shouldn't have tabbed out all of part 3, since the same right hand pattern is used throughout with few exceptions. Learn one line of part 3 and you have the whole thing mastered!! Some transitional details may be missing. I would welcome any and all comments and corrections. INTRO: E|-------0--3---------0--3/---13----13--13--12--\0--- B|-1--3---------1--3-------------0------------------- G|-0-----0--0---0-----0--0----------0-------12--\0--- 1 D|----2------------2----------0-------------14------- A|-3------------3------------------------------------ E|--------------------------------------------------- a a |-10---10--8---------------------------------------- |-9--------10---12---10----------------------------- |-9----9---10-----------10\9---9-------------------- 2 |-9--------0-------0---------------10----9--11------ |----------------------------0--------------0------- |--------------------------------------0----0------- a a a |-12*-----10----12*-----10----7*-----6----3.--2----- |-12*----10-----12*----10-----7*----6----(3)-(3)--1- |-12*---11------12*---11------7*---7------4.--2----- 3 |-12*-----------12*-----------7*-------------------- |-12*-----------12*-----------7*------------------3- |-12*-----------12*-----------7*-------------------- |-12*---h3----12*---h2----7*---------3-------------- |-12*---------12*---h3----7*---h1----0-------------- |-12*---------12*---h2----7*---------0-------------- 4 |-12*---------12*---------7*---h2----0-------------- |-12*---h2----12*---------7*---h3----2-------------- |-12*---h3----12*---h2----7*---------3-------------- PART 2 |--------------------------------------------------- |-------------------0-------1-------0-------1------- |-------0---2---0-------0-------0-------0-------0--- 5 |---0---------0-------0-------2-------0-------2----- |-----2---0-------2-------3-------2-------0--------- |-3------------------------------------------------- |------------------ |---0-------1------ |-------0-------0-- 6 |-----0-------2---- |---------0-------- |-3---------------- |--------------------------------------------------- |---0-------1-------0-------1-------0-------1------- |-------0-------0-------0-------0-------0-------0--- 7 |-----0-------2-------0-------2-------0-------2----- |---------0-------2-------3-------2-------0--------- |-3------------------------------------------------- |------------------ |---0-------1------ |-------0-------0-- 8 |-----0-------2---- |---------0-------- |-3---------------- Repeat 4 times |--------------------------------------------------- |-------3-------3-------3-------3------------------- |---0-------0-------0-------0----------------------- 9 |-----0-------0-------0-------0--------------------- |-3-------2-------1--------------------------------- |-------------------------3------------------------- Repeat 2 times |------------------------1-------------------------- |-------3-------3----------------3------------------ |---0-------0--------2-------2---------------------- 10 |-----0-------0--------0-------0-------------------- |-1------------------------------------------------- |---------3--------1-------1------------------------ |------------------------1-------0------------------ |-------3--------3---------------------------------- |---0--------0-------2-------2---------------------- 11 |-----0--------0-------0-------0-------------------- |-1------------------------------------------------- |----------3--------1------1------------------------ |-------0-------0-------0-------0------------------- |--------------------------------------------------- |---2-------2-------2-------2----------------------- 12 |-----0-------0-------0-------0--------------------- |--------------------------------------------------- |-0-------0-------0-------0------------------------- |-------0-------0-------0--------------------------- |-------------------------------0------------------- |---2-------2-------2-------2----------------------- 13 |-----0-------0-------0-------0--------------------- |--------------------------------------------------- |-2-------2-------2-------2------------------------- Repeat Part 2 then end with: Fades out here-- |--------------------------------------------------- |--------------------------------------------------- |-------2-------2-------2-------2-------2----------- 14 |---0-------0-------0-------0-------0--------------- |-----0-------0-------0-------0-------0------------- |-2-------2-------2-------2-------2-------2--------- Part 3 (The Hard Way--See end for easier pattern) There are several right hand patterns that seem to work for Part 3, and these are my two favorites. The main intent was to find a pattern that contained the bass arpeggio and had a full sound without coming off like a repetitive banjo roll. This part has evolved from a simple thumb (P), middle finger (M), index (I) backwards roll that I used to play (that pattern appears at the end and is not fully tabbed). The thumb would hit the ascending and descending bass notes and the fingers would play a backward roll, a triplet, I guess? A pattern could usually be recognized, but it sounded fairly good. Under closer scrutiny it seems that there may be three notes after each bass note, giving a much fuller sound, although the playing gets frantic. Play fluidly with accents on every fourth beat. The thumb should play a rapid ONE two three four TWO two three four with the accents on the notes indicated below with a ^. When played at speed, the right hand I an M fingers will not really be plucking the strings but instead will be lightly "dancing" across the strings as the thumb chunks out the bass arpeggio. The accented bass line (for a C chord) is: |----------------------------------------------------- |----------------------------------------------------- |-------------------------0--------------------------- 15 |-----------------2---------------2------------------- |---------3-------------------------------3----------- |-3--------------------------------------------------- and the rest is played lightly, but fast: |-----------------------0---0-----------0------------- |-----------1-------1---------1-1---1-------1--------- |-------0-------0-----0---0-----------0---------0----- 16 |---2---------2---2---------------2-----------2------- |-----3---3-------------------------------3----------- |-3--------------------------------------------------- p i p m p m p i p i p m p m p i p i p m p m p i ^ ^ ^ ^ ^ ^ It seems that the secret for getting the speed up is the back to back PIPM to PMIP right hand fingerings. The order is probably not important as long as you alternate the patterns. Once the pattern is memorized, focus on hitting the bass notes, and don't worry if the fingers can't find the exact strings shown in the tab. A little bit of dirty picking is fine as long as the bass is on. This also avoids the sound of a distinct pattern, since the arpeggio is also ascending and descending the strings, creating a wall of sound. Too bad. Wish I could play it. Play 2 times C with G bass |-----------------------0---0-----------0------------- |-----------1-------1---------1-1---1-------1--------- |-------0-------0-----0---0-----------0---------0----- 17 |---2---------2---2---------------2-----------2------- |-----3---3-------------------------------3----------- |-3--------------------------------------------------- p i p m p m p i p i p m p m p i p i p m p m p i ^ ^ ^ ^ ^ ^ Am Play 2x |-----------------------0---0-----------0------------- |-----------1-------1---------1-1---1-------1--------- |-------2-------2-----2---2-----------2---------2----- 18 |---2---------2---2---------------2-----------2------- |-----0---0-------------------------------0----------- |-0--------------------------------------------------- Dm Play 2x |-----------------------1---1-----------1------------- |-----------3-------3---------3-3---3-------3--------- |-------2-------2-----2---2-----------2---------2----- 19 |---0---------0---0---------------0-----------0------- |-----0---0-------------------------------0----------- |-1--------------------------------------------------- D7 Play 2x |-----------------------2---2-----------2------------- |-----------1-------1---------1-1---1-------1--------- |-------2-------2-----2---2-----------2---------2----- 20 |---0---------0---0---------------0-----------0------- |-----0---0-------------------------------0----------- |-2--------------------------------------------------- C Play 2x |-----------------------0---0-----------0------------- |-----------1-------1---------1-1---1-------1--------- |-------0-------0-----0---0-----------0---------0----- 21 |---2---------2---2---------------2-----------2------- |-----3---3-------------------------------3----------- |-0--------------------------------------------------- Am Play 2x |-----------------------0---0-----------0------------- |-----------1-------1---------1-1---1-------1--------- |-------2-------2-----2---2-----------2---------2----- 22 |---2---------2---2---------------2-----------2------- |-----0---0-------------------------------0----------- |-0--------------------------------------------------- Dm Play once |-----------------------1---1-----------1------------- |-----------3-------3---------3-3---3-------3--------- |-------2-------2-----2---2-----------2---------2----- 23 |---0---------0---0---------------0-----------0------- |-----0---0-------------------------------0----------- |-1--------------------------------------------------- D7 Play once |-----------------------2---2-----------2------------- |-----------1-------1---------1-1---1-------1--------- |-------2-------2-----2---2-----------2---------2----- 24 |---0---------0---0---------------0-----------0------- |-----0---0-------------------------------0----------- |-2--------------------------------------------------- G Play 2x |-----------------------1---1-----------1------------- |-----------0-------0---------0-0---0-------0--------- |-------0-------0-----0---0-----------0---------0----- 25 |---0---------0---0---------------0-----------0------- |-----2---2-------------------------------2----------- |-3--------------------------------------------------- Diminished ? Play 2x |-----------------------4---4-----------4------------- |-----------3-------3---------3-3---3-------3--------- |-------4-------4-----4---4-----------4---------4----- 26 |---0---------0---0---------------0-----------0------- |----(x)-(x)-----------------------------(x)---------- |-4--------------------------------------------------- A 5th fret Play 2x |-----------------------5---5-----------5------------- |-----------5-------5---------5-5---5-------5--------- |-------6-------6-----6---6-----------6---------6----- 27 |---7---------7---7---------------7-----------7------- |-----7---7-------------------------------7----------- |-5--------------------------------------------------0 Dm Play 2x |-----------------------1---1-----------1------------- |-----------3-------3---------3-3---3-------3--------- |-------2-------2-----2---2-----------2---------2----- 28 |---0---------0---0---------------0-----------0------- |-----0---0-------------------------------0----------- |-1--------------------------------------------------- Am Play once |-----------------------0---0-----------0------------- |-----------1-------1---------1-1---1-------1--------- |-------2-------2-----2---2-----------2---------2----- 29 |---2---------2---2---------------2-----------2------- |-----0---0-------------------------------0----------- |-0--------------------------------------------------- Am diminished? Play twice |-----------------------0---0-----------0------------- |-----------0-------0---------0-0---0-------0--------- |-------2-------2-----2---2-----------2---------2----- 30 |---2---------2---2---------------2-----------2------- |-----0---0-------------------------------0----------- |-0--------------------------------------------------- Fmaj7 Play once |-----------------------0---0-----------0------------- |-----------1-------1---------1-1---1-------1--------- |-------2-------2-----2---2-----------2---------2----- 31 |---3---------3---3---------------3-----------3------- |-----0---0-------------------------------0----------- |-1--------------------------------------------------- Fmaj7 Play once (same except for last note) |-----------------------0---0-----------0------------- |-----------1-------1---------1-1---1-------1--------- |-------2-------2-----2---2-----------2---------0----- 32 |---3---------3---3---------------3-----------3------- |-----0---0-------------------------------0----------- |-1--------------------------------------------------- A 5th fret Play 2x |-----------------------5---5-----------5------------- |-----------5-------5---------5-5---5-------5--------- |-------6-------6-----6---6-----------6---------6----- 33 |---7---------7---7---------------7-----------7------- |-----7---7-------------------------------7----------- |-5--------------------------------------------------- Another Diminished ? Play 2x+ and dribble off to end on G string at 7th fret and hold (Listen to recording) |-----------------------6---6-----------6------------- |-----------5-------5---------5-5---5-------5--------- |-------6-------6-----6---6-----------6---------6----- 34 |---5---------5---5---------------5-----------5------- |----(x)-(x)-----------------------------(x)---------- |-6--------------------------------------------------- then slide up to 10th fret and transition to |-8---------------------------------------- |-10---12---10----------------------------- |-10-----------10\9---9-------------------- 35 |-0-------0---------------10----9--11------ |-------------------0--------------0------- |-----------------------------0----0------- a a Repeat the Harmonic/Hammer section of intro, ending on a plucked G Major followed by a quiet D Major. ***EASIER METHOD FOR PART 3*** This pattern should be played very smoothly with accents on the thumb notes; fingers barely pluck--they just graze the strings. This pattern is a lot easier to play without sounding frantic. Pattern for C chord is shown. Follow the previous chord patterns. Play 2x |----------------0------0--------------------- |----------1-------1------1----1-------------- |---0--------0--------0----------0----0------- |-----2---------2------------2----------2----- |--------3--------------------------3--------- |-3------------------------------------------- end.