Leo Kottke - Little Martha

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Date: Wed, 23 Aug 95 10:48:16 EST
From: "JARRELL_JIM" 

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par       While already posted in OLGA under Allman Brothers,
par       this is my cut on Kottke's version (light years ahead
par       of good ol'boy Duane's). As a musical novice, I am unable
par       to add time values to the Tab. I break up measures very
par       hap-hazardly to say the least. 
par       Bottom line...If you're not familiar with the tune 
par       you're in big trouble. You gotta listen to it.
par 
par  
par                      "Little Martha" 
par                             Duane Allman
par 
par                       arrangement: Leo Kottke
par                       From "Home and Away"
par                       video and "A Shout Toward
par                       Noon"
par                       Tab: Jim Jarrell
par 
par        Open D tuning
par 
par        *  Harmonic
par        h  Hammer-on
par        p  pull-off 
par        s  slide
par        x  dampen or undetermined point
par        g  ghost note or very insignificant note
par           primarily used to maintain beat or assist
par           in left hand movement. Should be played and
par           heard, but only in passing
par       ( ) indicates optional notes.  See explanation below
par 
par       Section I
par          
par     d |--------------------12*--|------------------------|
par     a |-----------12*-----------|-----12*-------10s9-----|                
par     f#|-----12*------12*--------|------------0--------0--|
par     D |--------12*------12*-----|--------12*---------0---|
par     A |--12*--------------------|--12*-------------------|
par     D |-------------------------|------------------------|
par                             ^                g       gg
par                             |
par                       accentuate harmonic!      
par                        
par 
par       |-----------------------------0----|
par       |------------12*--------7*---------|  repeat section I 
par       |------12*----------7*----7*------@|  ?X's (til you get
par       |---------12*---------7*----7*----@|  tired of it!) 
par       |---12*-----------7*---------------|   I think its 4Xs
par       |----------------------------------|   
par 
par 
par        Note: the "10s9" is later on played "10s9s10s9"
par              with the 2nd string only struck once. 
par     
par        Section II  
par 
par       |----------------0------------------------|
par       |---------0-----(0)----0------------------|
par       |--0h1---(0)----------(0)-------1p0-------|
par       |--0h2--------0--------------0--2p0----0--|
par       |-------0-----------0----------------0----|
par       |--0--------0----0--------0-----0---------|
par                                            g g 
par   
par                 ^see note at end of section
par  
par                          1st ending 
par       |----------------|--------------------|
par       |---------0------|--------------------|
par       |--0h1---(0)-----|-------1-----0------|
par       |--0h2--------0--|--2----2--0------0--|
par       |-------0--------|--4-------------0---|
par       |--0--------0----|-----2-------0------|
par                           |             gg 
par                        vibrato the "4"
par                        on both endings
par 
par         2nd time  
par 
par       |--------------------|
par       |--------------------|
par       |--------1-----------|   repeat section II ?Xs
par       |--2-----2-----0-----|   I think 2Xs
par       |--4--------0--------|
par       |-----2--------0-----|
par 
par       
par        
par        ^ Note: The third string open note here (in combination
par          with the second string open note) is optional. The two 
par          notes played together give a fuller sound. This idea
par          holds true for sections II and III when adjacent string
par          notes are played (eg. 5,s below and 0,s in section I. 
par                                5             0
par 
par 
par       Section III
par 
par 
par       |-------------------5---------------|
par       |----------5-------(5)----5---------|
par       |--5h6----(5)------------(5)--------|
par       |--5h7-----------5--------------5---|
par       |-------5--------------5------------|
par       |--5----------5-----5--------5------|
par 
par 
par 
par       |--------------------------|-----------------|
par       |------------------5-------|-------------5---|
par       |--6p5-------5h6--(5)------|-----------5-----|
par       |--7p5----5--5h7--------5--|--7-----6--------|
par       |-------5--------5---------|--9-----7--------|
par       |--5---------5--------5----|-----0-------5sX-|  
par                                              
par                                            subtle slide
par                                       
par 
par       Repeat Section II, then everything from the top
par       I think..:)
par 
par 
par        Section IV
par 
par                                       1/2 barre
par       |--5s7---5--------------------------------------|
par       |--5s7---5--5s7---8p7----5------3h4p3h4p3h4p3h4-|
par       |--5s7---5--5s7---7------5----3-----------------|
par       |--7s9------5s7---9p7--5--------3h5p3h5p3h5p3h5-|
par       |-----------7s9-------------0-------------------|
par       |-----------------------------------------------|
par 
par 
par        Not to worry...above measure not nearly as hard
par        as it appears.  If you don't use right hand ring
par        finger to play, leave out "7s9"s. Last hammer/pull-
par        offs done with only one, initial right hand movement.
par        Just keep hammer/pulloff going til you run out of 
par        sustain......
par 
par 
par                                          (start Sec II)
par       |------------------0---------------|------------
par       |-----4p3------------0-------------|------------
par       |--3-------5p3---0-----1-0---------|-0h1---etc..
par       |--------------5-----------2-0-----|-0h2--------
par       |------------------------------2-0-|------------
par       |----------------------------------|-0----------  
par 
par        
par        Leo slightly muffles above measure with heel of 
par        right hand. Somewhat of a staccato effect. Note 
par        that "1 0" and rest of measure played with alter-
par        nating right thumb and index finger (I think! :)
par 
par 
par        If previous measure doesn't work for you try it
par        this way.....
par 
par        |------------------0---------------|
par        |--0--4s3--2p0-------0-------------|
par        |--------------1-0-----1-0---------|
par        |--------------------------2-0-----|
par        |------------------------------2-0-|
par        |----------------------------------|  
par        
par         Same notes but maybe alittle easier?
par 
par 
par            Corrections, comments etc. welcome!
par 
par           Jim Jarrell  work- JarrellJ@N4.OPNAV.NAVY.MIL
par                        home- KQTJ46A@prodigy.com
par 
par                                                   
par }{f11fs16 
par }}


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