Sunny Day Real Estate - 8

Welcome to the final page of guitar tab for Sunny Day Real Estate - 8. Here you can do in two ways. First of all you can see 8 guitar tab right on the page. Another way is to download Sunny Day Real Estate 8 guitar tab to your computer and to learn it later. Also, on this page you can see some information about this tab such as band name for 8, its tab type, size of file and file format. If you want to find another guitar tab for Sunny Day Real Estate, or another types of tabs please, look to the previous page using navigation link. This information will help you to learn your favorite music! Good luck!

File info:

Band name Sunny Day Real Estate
Song name 8
Tab type Guitar tab
Added 07/04/2008
Size 5.17 kb
File format
Views/Loads 0/0
Rating
Please, enter the code for download:

Wrong code.
8 Tab by Sunny Day Real Estate, 



#
Tabbed by Brian McCall (Ansigod) 

8 - by Sunny Day Real Estate
=   written by Jeremy Enigk and Daniel Hoerner

Tuning: standard, capo 3rd fret.

Note: tabbed sandard, (sometimes I'll tab capoed songs as if the capoed
      fret is an open string.  Say I capo the third fret, I'd tab the
      thrid fret to be a 0 and the 4th fret to be a 1.  Such is not the
      case on this tab.) just a little note to quell confusion.

*1 Intro

G1 (doubled by G2) slight reverb, otherwise clean

      V         V           V      V         V        V         V
|-----12-12-----12-12----12-0------11-11-----11-11----11-0------12-12--|
|-13--13--------13-------13-13-----13--------13-------13-13-----13-----|
|-12--12--------12-------12-12-----12----12--12-------12-12-----12-----|
|-X--------------------------------------X-----------------------------|
|-3---------3-3-------3--------3-3-------3-3-------3--------3-3--------|
|----------------------------------------------------------------------|..
                                                           ^repeat

*2

G1 Distortion

|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|-9-\-5----12-10-9--10-9--7--9-\-5----12-10-9--10-9--7--9-------------|
|-X---5----X--X--X--X--X--X--X---5----X--X--X--X--X--X--X-------------|
|-7-\-3----10-8--7--8--7--5--7-\-3----10-8--7--8--7--5--7...----------|
|---------------------------------------------------------------------|

G2

|----------3-----3-----3--3-------------------------------------------|
|----------4-----4-----4--4-------------------------------------------|
|-5---5-5--3-----3-----3--3-------------------------------------------|
|-5---5-5--5-----5-----5--5-------------------------------------------|
|-3---3-3--6-----6-----6--6-------------------------------------------|
|---------------------------------------------------------------------|
                           ^repeat

*3 Verse

G1
  pm-------------------------------------------------------------------|..
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|-3-3-3-3---3-3-3-3---3-3-3-3-6-6-6-6---6-6-6-6---6-6-6-6-3-3-3-3...---|
|----------------------------------------------------------------------|
                                                         ^repeat
G2

|---------12----12------------11----11------------12----12------------|
|------13----13----13------13----13----13------13----13----13---12...-|
|---12------------------12------------------12------------------------|
|---------------------------------------------------------------------|
|-3-------------------3-------------------3-------------------3-------|
|---------------------------------------------------------------------|
                                         ^repeat

repeat *2 for chorus

repeat verse

repeat chorus

*4

G1

|---------------------------------------------------------------------|
|----------6----------------------------------------------------------|
|------4---5----------8----------7------------------------------------|
|-5----5---3----------8----------7------------------------------------|
|-5----5---3----------6----------5------------------------------------|
|-3----3--------------------------------------------------------------|

G2

|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|------4---10-10-10---12-12-12----14-14-14----------------------------|
|-5----5---X--X--X----X--X--X-----X--X--X-----------------------------|
|-5----5---8--8--8----10-10-10----12-12-12----------------------------|
|-3----3--------------------------------------------------------------|
                                          ^repeat

End with several G#s |466544|

Note: If you've seen my tabs before you know how I hate to tab rhythm
      strums.  Same rule applies to this tab, so please understand that
      I've tabbed this based on accuracy of notes and chords, not rhythm
      and number of strums.

*5 Feedback verse

To get the desired feedback of the first note leave the A open, then
try these octave chords: |X7X9XX| and |X8X10XX|.  Add G1's palm muting
the second time around.

repeat chorus

repeat *4

end of G#

Inspiration to write this tab came from some mental corrections to
Michael Hoover's (mth119@psu.edu) tab, so in the process of
correcting his tab I decided to just write my own and submit it to
him to see what he wanted to do with it.  Until we negotiate and
decide which tab to post; this one with credit to him, or his original,
corrected with parts of this tab with credits to me.  Thanks Michael.