Demilich - The Putrefying Road In The Nineteenth Extremity
Welcome to the final page of guitar tab for Demilich - The Putrefying Road In The Nineteenth Extremity. Here you can do in two ways. First of all you can see The Putrefying Road In The Nineteenth Extremity guitar tab right on the page. Another way is to download Demilich The Putrefying Road In The Nineteenth Extremity guitar tab to your computer and to learn it later. Also, on this page you can see some information about this tab such as band name for The Putrefying Road In The Nineteenth Extremity, its tab type, size of file and file format. If you want to find another guitar tab for Demilich, or another types of tabs please, look to the previous page using navigation link. This information will help you to learn your favorite music! Good luck!
File info:
| Band name | Demilich |
| Song name | The Putrefying Road In The Nineteenth Extremity |
| Tab type | Guitar tab |
| Added | 05/11/2008 |
| Size | 4.21 kb |
| File format | |
| Views/Loads | 0/0 |
| Rating |
Wrong code.
DEMIlICH OFFICIAL WEBSITE http://www.anentity.com/demilich/ Intro -----------| -----------| -----------| -----------| -6-6-6-6-5-| -4-4-4-4-3-| Fig. 1 ----------------------| ----------------------| ---34-------78----| ----------------------| -5--------8-5------2--| -3--------6-3------0--| Fig. 1a ------------| ------------| ---34-----| ------------| -5------8-2-| -3------6-0-| Fig. 2 ----------------------------------| ----------------------------------| ----------------------------------| ----------------------------------| ----------------------------------| -33334444666600003333444466667777- Fig. 3a ----------------------------| ----------------------------| ---------------------4-3----| -----2-3---------2-3-----5--| ---------4------------------| -0-0-------3-0-0------------| Fig. 3b --------------------------------| --------------------------------| --------------------------------| -------------------------9-8----| -----10-11---------10-11-----10-| -0-0-------9-0-0-0--------------| Fig. 3c -----------------| -----------------| -----------------| ------------8----| -7-8-----10------| -----9-0---------| Fig. 3d --------------------| --------------------| --------------10-9--| ------------8-------| -7-8-----10---------| -----9-0------------| Fig. 4 -------------| -------------| -------------| -------------| -2-2--2-2----| -0-0--0-0-9\-| Fig. 5a ---------------------------------| -----------------------------5-5-| ---------------------6-6---------| -6-6-2-2-5-5-5-5-4-4-----5-5-----| ---------------------------------| ---------------------------------| Fig. 5b ---------------------------------| ---------------------------------| ---------------------------------| -----------------------------2-2-| -6-6-2-2-5-5-5-5-----4-4---------| -4-4-0-0-3-3-3-3-2-2-----3-3-----| Fig. 5c ----------------| ----------------| ----------------| -------------2--| ---------4------| -4-0-3-2---3----| Fig. 6a ----------------------------------| -------------------------------7--| -------8-7---5---------8-7---5----| ---8-7-----6---4---8-7-----6------| ----------------------------------| -0---------------0----------------| Fig. 6b -------------------------------------| -----------------------------------7-| ---------11-10---8---------8-7---5---| ---11-10-------9---7---8-7-----6-----| -------------------------------------| -0-------------------0---------------| Fig. 6c ------------------------------------------| ---------------------------------------10-| ---------11-10---8-----------11-10---8----| ---11-10-------9---7---11-10-------9------| ------------------------------------------| -0-------------------0--------------------| Fig. 7a -----------------| -----------------| -----------------| ---3---3-----6-3-| -2-1-5-1-3-5-4-1-| -0---3---0-3-----| Fig. 7b --------------------| --------------------| --------------------| ---8----8------11-8-| -7---10---7-10------| --------------------| Intro x1 Fig. 1a x8 Fig. 1b x1 Fig. 2 x6 Fig. 3a x9 Fig. 3b x4 (3a is introduced once, then repeated eight more times with vocals; this is a unison line save for the last four times, which are harmonized with Fig. 3b.) Fig. 3c x8 Fig. 3d x2 Fig. 4 x1 Fig. 5a x4 Fig. 5b x4 Fig. 5a x2 (first time played by one guitar, second time by both) Fig. 5c x8 (the second four times 5c is played, the figure is played an octave above. to tab that out.) Fig. 6a x4 Fig. 6b x2 Fig. 6c x2 First two times, 6a and 6b are harmonized, second two times 6a and 6c are harmonized. Fig. 3c x28 (the first four times Gtr. 1 reintroduces Fig. 3c, Gtr. 2 holds out an A for bars, followed by an eighth note A. On the downbeat of the fourth repetition (Fig 3c. one measure in length) there's a divebomb from the 3rd harmonic of the high-E.) Fig. 3d x16 (At 2:15, 3d is played along with 3c) Fig. 7a x2 Fig. 7b x2 Fig. 3d x1 Behold the wonders of multitrack recording!- At the same time 3c/3d ostinato begins, thickens during the last 16 repetitions as a third guitar outlines a diminished arpeggio. 7b) Fig. 3c is stated by a lone guitar one last time before everybody emphatically lands on marcato open A. How metal.